Considering Jones truly is an understatedly versatile artist, this release feels subdued for what she’s capable of, which was made especially clear on the albums that would follow. It’s not a bad album rather, it feels safe or almost too akin to its predecessor. 1 on the Billboard 200 Chart - and don’t be put off by the placement of this one. Not Too Late was Jones’ third consecutive debut at No. Some have, however, made it onto my playlists of best new releases from North Texas musicians as of late! Upon early listens, “Hurts To Be Alone” is the standout among the fluidity on the darker, genre-spanning release, followed by the poignant “Heartbroken, Day After” with timely lyrics of “My heart is racing/To find a way out of this place/Heartbroken, day after/Our world is wasting away/And it’s too much to face.” Not far off from her early work of flowy piano riffs nearly two decades ago, Pick Me Up Off The Floor reaches the potential that Day Breaks fell short of in invigorating Jones’ onset. None have made it onto my go-to list for songs to sing me to sleep or to narrate a rainy Sunday just yet. It almost doesn’t feel fair to place this one anywhere among this list yet, as we haven’t had the time to get to know these songs as long as we have the others.
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She taps into haunting electro arrangements on “My Heart Is Full” and enters soulful-pop territory on “Just a Little Bit.” More than anything, it comes across as a passion project meant purely for her own creative outlet most of these songs wouldn’t make sense for the album she would quickly go on to put out this year.
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The songs aren’t cohesive, but it works enough for the brevity of the release. Begin Again is still, at its core, rooted in her early sensibilities but dressed in pop. Technically not a full-on album, Jones’ 2019 release is a modest collection of seven songs with a runtime of just 29 minutes, but is another example of Jones’ appetite for new expeditions in her sound. Given Day Break’s predecessor, though, it feels like a rather faint follow-up to a string of genre-crossing payoffs. The album features three covers, including a soulful rendition of Neil Young’s “Don’t Be Denied,” one of the leading tunes among the 12-song tracklist. In fact, much of Day Breaks feels like a collection of long-lost material from her seminal work - songs like “Carry On” and “And Then There Was You” could easily fit somewhere between the Come Away With Me and Feels Like Home eras. Jones’ sixth studio album is in many ways a return to her early catalog, but it doesn’t quite emit the same soft enchantment of her first two records.
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Her just-released Pick Me Up Off The Floor is yet another reminder of evolution in her already colorful inventory - so we figured now is the best time to sift through and rank every solo album she’s dropped to date.
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To allow her body of work to be eclipsed by early colossal success rooted in jazz tracks queued up in coffee shops would be a serious lessening of her prowess as an artist.īeyond her solo work, the North Texas native has long stretched her talents into varying genres - be it through her indie-rock side project of El Madmo or her country covers supergroup cheekily named The Little Willies, or that duets album she recorded with Green Day’s Billie Joe Armstrong.īut even her own discography tells a wide-ranging story of an iconoclastic artist without a fear of exploration, whether through deep cuts with country music institutions or entirely thematic albums. The short answer? Despite her reputation as a stalwart atop the “mom-rock” music peaks, her larger career has been understated in its versatility. Now, you’re probably thinking, “How is nine-time Grammy award-winning, Dallas jazz-pop icon Norah Jones underrated?” We need to talk about how underrated Norah Jones is. Off The Heels Of Her Latest Full-Length Album, Pick Me Up Off The Floor, We Thought We Would Do As We’re Told And Revisit Her Solo Discography.